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But the moment of frolic passed, and he turned to her with shining face. “You’re the only mother I ever had—so far as I know—” his eyes danced; “anyway, you’re the only one in sight, an’ a heap too good for this guy; I guess—I’ll—I’ll mind.” “And I’m always going to be your little girl, too,” the child pleaded; “so Billy must be my papa’s little boy.” “Right—now—are you?” The arm that was around Bouncer tightened, and she thought her “heart would fly right up into her throat.”.
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Conrad
Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing. During Betty’s illness these one-sided dialogues were more than usually plentiful. In this way only was Mrs. Wopp able to alleviate the “gnawin’ at her heart-strings” as she said, at having Betty so ill. It also kept the boy alive to the fact that life’s path was not strewn with “cabbage roses.” Such, at least, were the confidences poured into the sympathetic ear of his pinto. Betty Wopp was gambolling along the road with other little school-girls and heard the jeers addressed to the wretched boy. The penetrating sense of Moses’ need of her brought her to a halt. Indignation made her tight little braids of hair assume an aspect as terrific as Medusa’s snaky coils. She ran lightly up to Moses and walked beside him. How did he know her name, she wondered, yet answered more bravely than she felt. “Yes, sir.” She thought it best to be as polite as possible. “I’m alone now, but the boys are expected every minute.” She would say “boys” even if Clarence didn’t come; it sounded more protecting..
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